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MIDI CONCERTINAS
EMC-48 and AMC-30 MIDI

AMC-30, 30 key anglo
concertina (amboyna veneers) MIDI
controller concertina, developed
by the Concertina Connection and Tethys, a Dutch computer development company.

The
EMC-48, 48 key english
model
Construction
Both the EMC-48 (English 48 key) and AMC-30 (Anglo-30 key) are a
combination of a
traditionally built concertina and a wireless MIDI controller.
The concertina plays, feels and looks like a 'normal' concertina. Both english
and anglo
models have our brass double guided riveted action, "Wheatstone type"
keys (delrin core
with a domed metal sleeve), traditional brass end bolts, and 6
fold leather bellows. The
ends are French polished. Both models are available in
a variety of exclusive hardwood
veneers as well as "all black".

Bellows
action
Although the bellows are not necessary with MIDI concertinas, we included them on these
instruments
to make the instrument play exactly like
a reeded concertina would. This is
true for bellows movement;
when playing a
note, the bellows also open and close,
just like
on a reeded concertina, and
dynamics; the
higher the pressure, the louder the tone.
In order to assure the correct bellows 'feel', we use the same 'all leather'
bellows as we do
on our other instruments, such as the Phoenix anglo and Geuns-Wakker models.

The
MIDI part
Both english and anglo models are reedless concertinas. The instrument
itself does not
produce any sound. Instead, the instruments transmit MIDI
information to a receiver
which can be connected to any MIDI compatible (sound)
source, such as a computer,
synthesizer module, keyboard, etc.. This sound
source determines the sound you'll hear.
For instance, if you select a flute or
piano sound, your concertina will sound like these
instruments.
Both EMC-48 and AMC-30 models are wireless systems. The concertina is not
connected
to the receiver. Because of this, the player is not limited in his/her
movement when, for
instance, playing on stage. The battery in the concertina can
be recharged through a
connector on the right side (bottom). This direct wire
connection can also be used
to send MIDI information to the receiver.
MIDI
specifications
The instruments can generate data over two channels (layers) simultaneously.
This means
you can combine two
different sounds at the same time. You can, of course, also use just
one 'sound'
at a time.
On the left hand side the instrument has 2 micro switches to select the octave
setting
(up-down). Both models can be set to 4 different octaves: bass(-2
octaves), baritone (-1)
treble (0) and piccolo (+1).

The receiver has several selection buttons and a led
display showing all necessary
information. Functions that are not changed
frequently (e.g. keyboard lay out etc.,) can
be changed on the receiver.

MIDI
switches
The concertina itself contains besides the MIDI electronics also a rechargeable
battery,
5 micro switches and 4 led's. The right hand side of the instrument
has 3 micro switches
with
the following functions:
* on/off
* layer 1 selection
* layer 2 selection
The left hand side has 2 micro switches with the following
functions:
* octave up
* octave down
There are 4 led's on top of the right hand side (on both
models) that correspond with
the micro switches
The 4 led's on the right side of the concertina: (from top
to bottom)
* battery condition/recharge
* on/off
* layer 1
* layer 2
Keyboard
lay out
The MIDI system includes 6 keyboard lay outs:
1 English treble concertina
2 English tenor
3 anglo Wheatstone/Lachenal
4 anglo Jeffries
5 anglo Irish
6 anglo Jeffries 2
7 free programmable lay out.
The free programmable lay out allows the player to develop/select his own
keyboard lay out.

Updates
Both the EMC-48 and AMC-30 models have been developed with the concertina
player
in mind. These instruments are still concertinas. The selection of MIDI
applications match
the way a concertina is played. Every musical instrument and
situation has different MIDI
preferences, e.g. 16 part multi timbral
possibilities are very useful in combination with a
sequencer, but in a live
performance situation, a single channel with easy access to all the
parameters
is preferable.
The standard configuration, with the MIDI electronics housed in a separate small
box, makes
it possible to offer up dates in the future. The instrument itself,
which only houses the contacts,
controls and transmitter, will not need to be
altered, just the electronics in the receiver. The
MIDI setup is open ended. The
possibilities are (almost) unlimited. Updates are partly customer
guided. Feed
back from players will play an important role in the further development of
these
instruments.
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